🌟 Coming soon TO INVIsION🌟

An innovative approach to weaving music, film, and justice creates this virtual walking tour version of IN Series Resident Artist Carl DuPont’s musical recital exploring prolific voices of black composers and poets. That music combines with a guided tour of five of DC’s seminal sites essential to telling the story of African Americans in our nation’s capital, curated by Timothy Wright, founder of Attucks Adams Walking Tours.

Concept by Carl Dupont
Curated by Timothy Wright, Attucks Adams Walking Tours

Carl Dupont, baritone
Gregory Thompson, piano
KenYatta Rogers, speaker
Michelle Rogers, voice

Composed in the wake of America’s Vietnam War, and telling the story of the 1068 Battle of Hastings, Judith Wier’s epic “opera in three acts and an epilogue” is a stunning and moving tour-de-force for one unaccompanied soprano. IN Series crafts this work into a unique film made in evocative ruins of the power-plant of the Walter Reed Army Hospital.

By Judith Weir
filmed at Walter Reed Armory Hospital

Directed by Timothy Nelson
Filmed by Sergei Shauchenka

Maribeth Diggle, Soprano

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The final installment of a song-trilogy  grieving loss blends the transfiguring third act of Wagner’s Tristan und Isolde with the mysteries of his Wesendonck Lieder into a film about those who give physical comfort at the end of life becoming spiritual guides in the time of COVID as family and friends are unable to say goodbye.

Maribeth Diggle, soprano
Brian Arreola, tenor
Alexander Oliver, actor
Robert Ainsley, music director and pianist
Timothy Nelson, director and concept
filmed by Segei Shauchenka

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By Erin Garber-Pearson and Caroline Miller

Aber was conceived as an exploration of loss through the lens of aerial dance and classical music. The Brahm’s requiem strikes a balance between the grand and eternal concept of death, and the more personal concept of loss.

Movement 5, “Ihr habt nun Traurigkeit,” is the most intimate moment of the whole requiem, focusing on the soprano soloist and hope in loss. The text means roughly, your are sad now, but we will see each other again, have comfort.

As collaborators, we wanted the wonder of two people who once knew each other in life, finding each other again in a between-life state. Their connection across the distance is created by the physicality of vertical space, and the story of their meeting again. The lost loved one looms above, unknowable and unreachable in death. Through the song, the singer is able to summon her friend, glimpse her again, and acknowledge the loss face-to-face. In this interstice her lost one may support her again, emotionally and in our piece, physically.

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Just in time for the election, a docu-opera of Melissa Dunphy’s brilliant setting of the transcripts from Attorney General Alberto Gonzales’s 2005 congressional hearings into the style of Handelian oratorio is art as satire – at turns funny, charming, moving, and always convicting. This new INVISION production features the premiere of a unique organ transcription by the composer as well as a special collaboration with the Capital City Symphony.

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Directed by Corinne Hayes
Music Direction/Organ by Michael Lodico
Audio Editing by Joe Haughton
Film Editing by Adam Grannick

Featuring:
Julie Bosworth / Grassley
Kelly Curtin / Leahy
Joe Haughton / Feinstein
Noelle McMurtry / Cardin
Caroline Miller / Spector
Elizabeth Smith / Sessions
Cara Schaefer / Hatch
Melissa Wimbish / Gonzales
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Released in 2014, SONGS OF THE FISHERMAN is a collaboration of composer Timothy Nelson (IN Series artistic director), poet Andrew Albin (ORPHEE ET EURYDICE, 2020), and tenor Brian Arreola(VIVA V.E.R.D.I., 2018, BUTTERFLY, 2019). The work is a ritualized meditation on the human life-cycle composed an evocative and culturally diverse texts. Praised by Opera News, the identities of the characters and the meaning of the narrative are created by the viewer.

with

Brian Arreola, tenor
Alison Mixon, dancer

Acis + Galatea
by GF Handel
filmed at the Baltimore Theatre Project

Stage Direction, Timothy Nelson
Music Direction, Adam Pearl and Timothy Nelson
Design by Kel Millione
Ignoti Dei Orchestra

Acis the mime, Aaron Sheehan
Galatea the trapeze girl, Rebecca Duren
Polyphemus the sad clown, Sumner Thompson
Damon the ringmaster, Tony Boutee
Coridon the dancing bear, Kristen Dubenion-Smith

SYNOPSIS:
Amidst the hum and drum of a post-modernity, a traveling troupe of singing circus folk gather to perform for you the story of "Acis and Galatea," an ancient tale that has been passed down among untold generations of street performers.  The story of "Acis and Galatea" is the classic tale of boy meets girl, boy gets girl, one-eyed monster crushes boy with rock, and boy turns into fountain.   This ground-breaking production turns the theatre into a circus tent, reknowned singers into mimes, trapeze girls, clows, and even a dancing bear, and turns traditional opera on its head.

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